A Florentine Galleria dei Lavori pietre dure casket - image-1
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A Florentine Galleria dei Lavori pietre dure casket - image-1A Florentine Galleria dei Lavori pietre dure casket - image-2A Florentine Galleria dei Lavori pietre dure casket - image-3A Florentine Galleria dei Lavori pietre dure casket - image-4A Florentine Galleria dei Lavori pietre dure casket - image-5A Florentine Galleria dei Lavori pietre dure casket - image-6A Florentine Galleria dei Lavori pietre dure casket - image-7

Lot 1507 Dα

A Florentine Galleria dei Lavori pietre dure casket

Auction 1174 - overview Cologne
04.06.2021, 12:00 - Decorative Arts
Estimate: 15.000 € - 25.000 €

A Florentine Galleria dei Lavori pietre dure casket

Rectangular box made from ebonised wood veneer on oak and softwood, the angles accentuated with ormolu scroll and mascaron mountings. The lid and four outer faces decorated with commesso pietre dure panels depicting finely shaded flowers and fruit. H 21.5, W 38.5, D 32 cm.
Late 17th / early 18th C.

Since ancient times, people have been fascinated by coloured and precious stones. Hidden deep in the earth and often encased in an unpretentious mantle, they must be painstakingly brought to light and uncovered to reveal their magic. Extraordinary marbles have been extracted from Italian quarries since ancient times. But in the 16th century, the increase in maritime and land-based trade brought additional precious stones to Italy. Cosimo I de' Medici and his son Francesco were also passionate stone collectors. Grand Duke Ferdinando I de' Medici (1549 - 1609) finally decided to establish the first large-scale stone-working workshop, the Galleria dei Lavori in Pietre Dure, which began operations in 1588. The Grand Duke hired local craftsmen who specialized in restoring ancient objects carved in stone and making contemporary inlaid pictures in coloured stone to adorn furniture and wall panelling in the modern taste.
Artists trained in this workshop travelled throughout Europe to work for other noble or royal households. In turn, Northern Europeans visited the Galleria dei Lavori on the Grand Tour, buying and commissioning objects adorned with or made from pietre dure. In the mid-18th century, the workshop was renamed Opificio delle Pietre Dure and still exists today as a state-subsidized institution.

Literature

Cf. Colle, Il Mobile Barocco in Italia Arredi e Decorazioni d´interni dal 1600 al 1738, Milan 2000, p. 170, for the box in the Museo Nacional de Artes Decorativas in Madrid and p. 184, the chest in the Kunstgewerbemuseum Berlin.
Cf. Giusti, Pietre Dure Bilder aus Stein, Munich 2005, p. 159 ff.<BR>Cf. Koeppe / Giusti, Art of the Royal Court, New York 2008, p. 198f, no. 54.
For similarly fine stone inlays cf. The "Barberini-Cabinet" in The Metropolitan Museum of Art , acc. no. 1988.19.
Cf. The box attributed to Giovanni Battista Foggini in the Royal Collection Trust, inv. no. RCIN 11895.
Cf. Also the ebony cabinet with stone marquetry attributed to Giovanni Bylifelt in the Palazzo Vecchio in Florence, inv. Sculture (1882), N. 1093 (cat. Trésor des Médicis, Paris 2010, no. 88).
Cf. cat. Wunderwelt: Der Pommersche Kunstschrank, Augsburg 2014, no. 65, der Kabinettschrank mit den Pietra-Dura-Einlagen aus dem Maximilianmuseum in Augsburg, inv. no. 5817.