Henri de Toulouse-Lautrec - Nice. Sur la Promenade des Anglais - image-1
Henri de Toulouse-Lautrec - Nice. Sur la Promenade des Anglais - image-2
Henri de Toulouse-Lautrec - Nice. Sur la Promenade des Anglais - image-1Henri de Toulouse-Lautrec - Nice. Sur la Promenade des Anglais - image-2

Lot 2 Dα

Henri de Toulouse-Lautrec - Nice. Sur la Promenade des Anglais

Auction 1247 - overview Cologne
04.06.2024, 18:00 - Modern and Contemporary Art - Evening Sale
Estimate: 150.000 € - 200.000 €
Result: 138.600 € (incl. premium)

Henri de Toulouse-Lautrec

Nice. Sur la Promenade des Anglais
1880

Oil on card. 31.8 x 39.9 cm. Framed. Monogrammed, inscribed and dated 'HTL. Nice 1880' in black lower left. - In very fine condition, slight compression to lower corners.

The painting “Nice: Sur la promenade des Anglais” is a characteristic early work by the French painter Toulouse-Lautrec. Born as Count Henri Marie Raymond de Toulouse-Lautrec-Monfa in the southern French town of Albi, an incurable bone disorder and his lengthy convalescence led him to devote himself to drawing and painting. He utilised themes from his aristocratic surroundings; these consisted of the hunt, horse breeding and falconry.
With a preference for studies of motion and animals, Toulouse-Lautrec spent the early years of his career with the successful animal painter René Princeteau, who was a friend of his father. Based on the model of his work, the young count produced numerous studies of horses and their cavalrymen around 1880/81. The scene with a rider which is up for auction here, “Nice: Sur la promendade des Anglais”, was created when Toulouse-Lautrec was spending the summer with his mother in Nice. This early work, which confidently depicts processes of movement, is distinguished by Lautrec’s precise observation of a fleeting situation. An elegant lady accompanied by a servant steers her horse-drawn carriage down the road along the shore – a gallant young man passing by has raised his hat to greet her. In terms of the choice of colours and handling of the paint, Toulouse-Lautrec has utilised stylistic features of impressionism, with short brushstrokes and dabs of colour placed on the canvas unmixed and without any preliminary drawing. Maurice Joyant, a childhood friend of Lautrec and the best connoisseur of his oeuvre, draws a connection between our painting and the far better known work “Four-in-Hand Carriage in Nice” (Dortu 94), which enabled him to enter the studio of Léon Bonnat, the celebrated “painter of the millionaires”.

Catalogue Raisonné

Dortu P.33

Provenance

Comtesse de Toulouse-Lautrec, Albi/Paris; General Raymond Adolphe Séré de Rivières, Paris; M. Knoedler & Co, New York; Corboud Collection, long-term loan Wallraf-Richartz-Museum - Fondation Corboud, Cologne, inv. no. WRM Dep. 848 (loan by Fondation Surpierre)

Literature

Maurice Joyant, Lautrec, Paris 1930, p. 252; Jacques Lassaigne, Toulouse-Lautrec, Paris 1939, p. 38; B. Faucart/G. Mandel Sugana, Tout l'oeuvre peint de Toulouse-Lautrec, Paris 1986, cat. no. 31; Barbara Schaefer, Französische Malerei des 19. Jahrhunderts II. Die Impressionisten und ihre Nachfolger. Die Bilder der Fondation Corboud, ed. by Wallraf-Richartz-Museum & Fondation Corboud, Cologne 2006, p. 125, with col. ill.

Exhibitions

Nice 1957 (Palais de la Méditerranée), Toulouse-Lautrec, cat. no. 5; Paris 2005 (Galerie Schmit), Maîtres Français des XIXème et XXème siècles, cat. no. 64 (label verso)