A very rare ‚wintergreen’-glazed stembowl with anhua decoration. 15th century - image-1
A very rare ‚wintergreen’-glazed stembowl with anhua decoration. 15th century - image-2
A very rare ‚wintergreen’-glazed stembowl with anhua decoration. 15th century - image-1A very rare ‚wintergreen’-glazed stembowl with anhua decoration. 15th century - image-2

Lot 102 Dα

A very rare ‚wintergreen’-glazed stembowl with anhua decoration. 15th century

Auction 1044 - overview Cologne
05.12.2014, 10:00 - China - Porcelain and Ceramics (incl. the Elbrecht Collection)
Estimate: 60.000 € - 80.000 €
Result: 62.000 € (incl. premium)

A very rare ‚wintergreen’-glazed stembowl with anhua decoration. 15th century

A very rare ‚wintergreen’-glazed stembowl with rounded flared sides supported on a slightly splayed stem foot, covered overall with a rich sea-green glaze thinning to a pale tone on the rim and pooling on the exterior above the foot rim. The interior decorated in anhua with four lanca characters in flamed medallions between lotus blossoms and scrolls. Minor chip to footrim polished. 15th century.
Height 10 cm, diameter 14.5 cm

The 'wintergreen' glaze is probably the rarest monochrome glaze of the Yongle period; only three dishes are found in museum collections. The red glaze is also very rare, whilst a larger number of stemcups with a white glaze are known of. Just as with the red and white dishes, the wintergreen is found with and without a mark, which can be found as a four character mark on the inner wall of the stem. They were also made with and without anhua decoration. Alongside the favoured dragon design, where the dragon would decorate the inside of the dish, dishes with lotus and buddhist emblems are also found. It is unusual however to find the combination of the lotus decoration with the Lanca characters as on the present stem cup.
In the imperial workshops of the Yongle era, various glazes, decorations and forms were eagerly experimented. The popularity of Buddhist motifs was a reflection of Emperor Yongle's fervent devotion to Tibetan buddhism which initiated an unprecedented cultural bloom linking Chinese arts and crafts with Tibetan symbols and meanings, of hitherto unknown quality and splendor. The present stem cup is a sacrificial dish from a buddhist altar. It is therefore only logical that also here buddhist motifs would be used in the decoration.




15世纪 冬青釉暗花紋高足盌

Provenance

Collection Annelotte Elbrecht (1924-2013)

Literature

Compare: Xizang Bowuguan cang Ming Qing ciqi jingpin/Ming and Qing Dynasties Ceramics Preserved in Tibet Museum, Beijing, 2004, pl. 26; Geng Baochang, ed., Gugong Bowuyuan cang gu taoci ziliao xuancui [Selection of ancient ceramic material from the Palace Museum], Beijing, 2005, vol. 1, pl. 88; another related piece with bamboo segment ridge around the stem, is illustrated in: The Complete Collection of Treasures of the Palace Museum. Monochrome Porcelain, Hong Kong, 1999, pl. 124