A pair of large carved wood candelabra - image-1
A pair of large carved wood candelabra - image-2
A pair of large carved wood candelabra - image-3
A pair of large carved wood candelabra - image-1A pair of large carved wood candelabra - image-2A pair of large carved wood candelabra - image-3

Lot 954 Dα

A pair of large carved wood candelabra

Auction 1152 - overview Cologne
29.05.2020, 14:00 - Decorative Arts
Estimate: 20.000 € - 30.000 €

A pair of large carved wood candelabra

Carved and gilded wood with ormolu mountings and cut glass droplets. Both candelabra with 20 nozzles for candles and five branches hung with prisms surrounding a central pine cone motif. Fluted foliage-clasped column shafts on raised and slightly tapering tripod supports and three paw feet. The upper corners of the bases with female figures, the sides with tritons amid arabesques in relief. Some screws and prisms missing. H ca. 242, D c. 90 cm.
Attributed to Northern Italy, second quarter 19th C., circle of Pelagio Palagi (1775 - 1860).

This type of large candelabra is based on the designs of the Frenchmen Charles Percier and Pierre Fontaine, whose "Recueil de décorations intérieures: comprenant tout ce qui a rapport a l'ameublement, comme vases, trépieds, candélabres..." was published in Paris in 1812. Percier and Fontaine adapted classical motifs discovered during the recent archaeological excavations in Naples, which perfectly suited the emperor's taste. Following their designs, the Parisian ebenist Pierre Benoît Marcion (1769 - 1840) created a series of eight "torchères" based on antique models. The lamps featured three sculpted models of eagles perching with outspread wings on the angles of the three-sided tapering plinths, and a fluted column shaft with an acanthus clasped base. These candelabra are now housed in the Mobilier National.
About 20 years later, a large candelabra similar to the one presented here was cast in bronze by the Manufattura Manfredini for the Palazzo Reale in Turin, based on a design by Pelagio Palagi. It bears a voluminous crown of branches with numerous nozzles, and was entirely in-keeping with the taste of the restoration period. These candelabras with their fully sculptured figures and dense relief decoration can also be dated to this period. They were probably produced in northern Italy, possibly even by an artist from the circle of the great designer Pelagio Palagi.

Provenance

Private collection, Copenhagen.

Literature

Cf. Ottomeyer/Pröschel, Vergoldete Bronzen, vol. I, Munich 1986, illus. 5.19.15, for the candelabra in the Palazzo Reale, Sala dello Statuto, after designs by Palagio.
Cf. also: Colle/Griseri/Valeriani, Bronzi decorativi in Italia. Bronzisti e fonditori italiani dal Seicento all'Ottocento, Milan 2001, no. 104 and no. 103.
Cf. Ledoux-Lebard, Le mobilier français du XIX siècle, Paris 3/2000, p. 465 and 460 ff.
Cf. Gonzáles-Palacios, Arredi e ornamenti alla corte di Roma, Milan 2004, p. 279, for an illustration of the Roman candelabra from the Villa Borghese which was restored and completed by Antonio D´Este, the shaft of which bears similar repeating foliage motifs.