A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-1
A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-2
A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-3
A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-4
A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-5
A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-1A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-2A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-3A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-4A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century - image-5

Lot 80 Dα

A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century

Auction 1235 - overview Cologne
08.12.2023, 11:30 - India/Southeast Asia, Tibet/Nepal, China, Korea and Japan
Estimate: 3.000 € - 5.000 €

A fine Tibetan thangka of Dharmadhatu Vagishvara Manjushri. 18th century

The eight-armed and four-headed tantric form of the bodhisattva Manjushri sits in padmasana on a rectangular throne seat. The four heads, which reflect the four aspects of the mind characterised by colour, are each associated with a pair of hands. The hands hold the sword and the book of transcendent wisdom (Prajnaparamita book), the arrow (shara) and bow (capa), the diamond sceptre (vajra) and the bell (ghanta).
With these attributes held in pairs, the right (male) side symbolises Manjushri's active power (path), while the left (female) side symbolises the wisdom to be acquired with it (goal). Following this double symbolism, on Manjushri's left lap sits his wisdom partner Sarasvati, who in Hinduism was once the goddess of wisdom and music and was later incorporated into the Mahayana pantheon. She shows the gesture of granting wishes (varada-mudra) with her right hand and the gesture of discussion and transmission of the teachings (vitarka-mudra) with her left. Distemper on cloth. Verso with red Tibetan 'om, ah, hum' incantation behind the central figure. Mounted on Chinese blue silk embroidered with a five-clawed dragon, bats, clouds, and waves. Framed and glazed.
60 x 41 cm

西藏 十八世纪
文殊菩薩法性敕自在—金剛鬘唐卡
鏡心鏡框
来源: 奥地利維也納私人收藏,購於二十世紀六十/七十年代,此後由其家族傳承

Provenance

Private collection, Vienna, acquired in the 1960/70s, and thence by descent

Literature

On the iconography cf.: Essen/Thingo, Die Götter des Himalayas, Munich 1989, II-111. Swiss private collection